The CRC 1512 has 18 research projects in three areas:

Area A: Participating – Parting

A01 Collectivity and Delegitimization: Tensions between Political Theater and Activist Performance in Populist-Transformed Public Spheres 

A04 Polyphony as Experimental Sociality. Dynamics of Touch and Encounter

A06 Artistic Life Practice as Intervention: Migrating Practices

A07 Fake Truths/True Fakes: Artistic Interventions in Truth Games

A08 Comics in Latin America: Circulating Superpowers Between North and South

A09 Embody Intervention: Literature, Citizenship, and the Market of Belonging

Area B: Moving – Disrupting

B01 Improvisation as a Paradigm of Artistic Interventions

B02 Interventional Choreographies: Formats and Practices of Decolonization and Ecology

B03 Infrastructures of Intervention: Conditions, Opportunities and Effects of Artistic Interventions

B04 Appropriation – Editing – Dissemination: Memetic and Media Art Interventions in Online Cultures

B05 Acoustic Disturbances II. Infrastructures of Listening to Environments: Attunement, Extraction, Temporality

Area C: Drafting – Discarding

C03 Lyrical Intervention for Human Rights in Ukraine

C04 Between Opening and Closing: Infrastructures of Intervention at the Interface of the Political and the Aesthetic

C05 Intervening World Designs: Indigenous Audiovisuals of the Ecological Crisis

C06 History as Material? Artistic Historicizing as an Interventionist Practice

C07 Architectural Interventions: Visions of the Future from the 1960s to the 1990s

C08 Interventions of the 'Theory'

C09 Artistic Ecocriticism as Epistemic Intervention and Aesthetic Worldbuilding

Project Public Spheres and Humanities Communication (Ö) Central administration project (Z)

Six research projects were completed after the first funding period (2022-2026).