This project examined the choreography’s potential for intervention by looking at the proliferation of movement cultures since the 1990s. As a hybrid artform that exists in the space between stage and practice-based experiment, dance has since assumed a key function in the field of movement in public space. Dance has developed a vocabulary that has been refined by a variety of training methods and practices and by new choreographic forms of collaboration, mediation, and research, as well as by an interplay of different structures. As such, dance is ideally suited to initiate acts of “stepping in” (i.e. intervening), and resistance, as well as of collective participation. This project examined the interventionist potential of “ecological” choreographic practices, meaning those that constitute an interdependent network of actions and situations but which at the same time take a decolonial approach by empowering minorities. The subprojects (SP) brought together three guiding considerations: SP 1 looked at how choreographic forms situated between art practice and political agenda produce reflections by extending their practices into popular culture and micro-forms of movement, disturbance, and (de-)synchronization. SP 2 examined the decolonial perspective in productions and conceptualizations of the body that incorporate queer resistance and critiques of the canon. SP 3 considered the extent to which ecological practice can function as a form of choreographic intervention.